PROJECTS
Projects
Questions recur across the practice and change as they move through materials, scales and sites. Some develop over years as artistic research; others take form as site-specific proposals, exhibitions and curatorial projects.
RESEARCH PROJECTS
I. MORPHOGENESIS
1998–2013
Where does form begin?
Developed through painting, glass and printmaking, MORPHOGENESIS follows how form emerges through repeated material experimentation and how one work can leave a question active for the next.
Detail from The Observer, 2012. Murano glass, copper structures and stainless steel.
II. LIQUID FRAGMENTATION
2014–2019
How does form fragment and reorganise?
The project follows fragmentation, repetition and changes of scale across painting, ceramic elements,relief and installation, as forms are broken apart and reorganised under new material conditions.
Detail from Luiquid Fragmentation
SITE-SPECIFIC PROPOSALS
SITE-SPECIFIC PROPOSAL VISUALIZATION · METEPEC, MEXICO
ALUX
Guardián Ancestral
ALUX is a site-specific sculptural proposal developed for Metepec. The work was conceived in relation tothe architecture and atmosphere of the site, using the proposed installation to test scale, presence and the encounter between sculpture and place.
Developed proposal · Available as dossier
REALIZED EXHIBITION
Anthropomorphic Elements: Beyond the Primitive Forms
Marienborg Kunstnerverksteder · Trondheim, Norway · 2016
Curated by Daniel Romero Nieto | DARONI
Presented by Elena Pérez
The exhibition brought together the Anthropomorphic Elements series and related works, extending the practice from surface and relief into three-dimensional form.
EXHIBITIONS & CURATORIAL PROJECTS
REALIZED EXHIBITION
TZOMPANTLI: Un viaje através de los tiempos
Museo-Taller Nishizawa · Toluca, State of Mexico · 2025
Participating artist and co-curator · Daniel Romero Nieto | DARONI
Co-curated with sculptor Carlos Plata
Thirty national and international artists intervened a life-size skull form designed by Carlos Plata. Theexhibition brought the works together through a shared spatial structure developed around memory, ritualand the Day of the Dead.The project continues in 2026, with Romero Nieto returning as participating artist and co-curator.
REALIZED EXHIBITION
Morphogenesis as Superstructure
Museo d'Arte Moderna Ugo Carà · Muggia, Italy · 2015
Curated by Daniel Romero Nieto | DARONI
Presented by María Campitelli
The exhibition brought together artworks, diagrams and the MORPHOGENESIS publication, placing theproject’s material development and written articulation within the same public context.