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TEXT

Writing forms part of a practice investigating how body, matter, perception, memory, time and agency participate in the emergence of form.

Across essays, books, scientific publications and critical perspectives, writing gives materially and perceptually produced knowledge a public form—one that can be read, questioned and carried into other contexts.

Publications appear under Daniel Romero Nieto, D. Romero-Nieto and DARONI.

01
CURRENT WRITING
Books, essays and research articles currently in development.
PERCEPCIÓN ENCARNADA
2026 · BOOK IN DEVELOPMENT

Foundational Research Book  Percepción Encarnada

Daniel Romero Nieto

Develops "Percepción Encarnada" as an artistic research framework for examining how body, matter, perception, memory, time, environment and agency participate in the emergence of form.

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ARTICLE FROM THE 2026
MASTER'S RESEARCH
2026 · ARTICLE IN PREPARATION

Artistic Research · Neurodivergence · Creative Process

Daniel Romero Nieto

Develops a publishable argument from the 2026 master's research on creative processes in contemporary artists with ADHD, focusing on neurodivergence, attention, creative process and perceptual architectures.

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MORPHOGENESIS
2026 · ESSAY IN DEVELOPMENT

Research / Curatorial Essay

Daniel Romero Nieto

Returns to MORPHOGENESIS from the present, examining how material transfer, reflective return and the artwork as evidence reorganize the historical project without rewriting its original context.

2025 · REVISED SPANISH EDITION
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Morfogénesis

"El origen de la forma como superestructura"

Research Monograph

Second / Revised Spanish Edition

Daniel Romero Nieto

02
BOOKS
The 2015 trilogy and the 2025 Spanish edition are two editorial states of the same long-term investigation, not separate research projects.
MORPHOGENESIS AS SUPERSTRUCTURE
THE 2015 TRILOGY

First Edition · Trieste, Italy · 2015

TRILOGY ISBN · 978-82-303-2907-8

VOL. I

The Origin of Art@Science

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VOL. II

The Origin of the Universe “Caos–Cosmos”

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VOL. III

Theoretical–Poetic Multiscale Model of Perception–Creation

03
ESSAYS & THESES
A genealogy across scales.

2007 · MASTER'S THESIS

MATERIALS / ARCHITECTURE

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Composite nanomaterials applied to architecture: rigid polyurethane foam nanocompound.

Universidad Nacional Autónoma de México

Master's Degree in Civil Engineering

Daniel Romero Nieto

An experimental and applied investigation connecting nanoscale material properties with construction and architectural applications. It documents an early inquiry into how transformations occurring at one scale can generate effects at another.

2010 · DOCTORAL DISSERTATION

THEORETICAL PHYSICAL CHEMISTRY

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Theoretical study of the superelectrophilic activation of aldehydes and ketones with multiple protonation sites, with implications for polymer synthesis.

Universidad Nacional Autónoma de México

Doctorate in Engineering · Chemical Engineering

Institute for Materials Research

Daniel Romero Nieto

A theoretical investigation into molecular reactivity, protonation states and polymer-forming mechanisms through electronic-structure calculations, deepening an attention to interaction, energy, transition and transformation.

2026 · MASTER'S THESIS

ARTISTIC RESEARCH

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Creative processes in contemporary artists with ADHD: comparative analysis and foundations for an artistic support proposal

Universidad Internacional de La Rioja

Master's Degree in Artistic Project Production

Director: Rebeca Pardo Sainz

Daniel Romero Nieto

A study of creative processes through neurodivergence, attention and artistic research. The thesis approaches creative practice as a perceptual architecture shaped by body, materiality, environment, rhythm and continuity.

04
WRITING ON DARONI
05
SCIENTIFIC PUBLICATIONS
06
CATALOGUES & ART PUBLICATIONS
07
TALKS, PRESS & PUBLIC WRITING
Critical and curatorial perspectives on the practice.

A methodological genealogy across scales

Research themes across peer-reviewed work and scientific publications.

Scientific research constitutes one layer of a broader methodological genealogy concerned with matter, systems, interfaces, scale, transformation and emergence.

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Jilli Mōniz
Art historian · Critic · Curator

“I believe that Daniel Romero Nieto’s morphogenesis is the new science that Wynter demands.”

Critical essay on DARONI's artistic ecosystem · 2025

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María Campitelli
Contemporary Art Curator · Trieste, Italy

“The foundational and vital concept of transformation.”

Historical presentation of Morphogenesis as Superstructure

MOLECULAR REACTIVITY

Quantum chemistry · activation · reactivity · transition states · polymer synthesis

MULTISCALE MODELLING

From molecular systems toward material properties and larger-scale behaviour

INTERFACES & SURFACES

Contact angle · surface tension · adhesion · molecular dynamics

MATERIAL & ENVIRONMENTAL SYSTEMS

Polymeric materials · fluids · environmental processes

Selected exhibition catalogues and institutional art publications documenting the public history of the practice.

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2016

Art–Science and Biotechnology

Rubbettino Editore · Italy

Art publication / contribution

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2013

International Contemporary Art Bridge between Italy and Mexico

Catalogue–Book

SELECTED TALKS

2024

Art and Science as Discovery Tools

ARTAC–AIAP · Online presentation

2018

Lecture Performance

Antikvariatet · Trondheim, Norway

2016

Decoding Postures of Art, Science and Technology

Contemporary Arts Research Unit

SELECTED PRESS & INTERVIEWS

2018

Interview · Mexico Global Europa

Canal 22

2018

Interview · Radio Anáhuac 1670 AM

Mexico City

2015

The Nanotechnology Is Art in Romero Paints

Il Piccolo · Italy

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Edgar Vite Tiscareño
Doctor in Philosophy · UNAM, Mexico

"A poetry of scientific thought." 

Prologue / critical text on Morphogenesis as Superstructure

MEMBRANES & CO₂ SYSTEMS

Transport · membrane design · process scale · CO₂ capture

FEATURED PUBLICATION

Membrane System Design for CO₂ Capture: From Molecular Modeling to Process Simulation

Book Chapter · Wiley · 2017

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2011

Lo stato dell’arte — Friuli Venezia Giulia

54ª Biennale d’Arte · Trieste, Italy

Catalogue–Book

PUBLIC WRITING

Essays on art, science and technology

Conference proceedings

Catalogue contributions

Curatorial and research notes

“Writing is not separate from the work.
It is another surface where matter, perception and knowledge take form.”
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