I paint and sculpt from what the body remembers when words fall silent.
My works are visible scars: plaster, wood, pigments, glass, skin, and memory.
I was born in Mexico, raised amid family fractures, violence, and neurodivergence; art became both my refuge and my voice. Since then, I have sought to transform pain into gesture, trauma into an architecture of meaning.
My practice is an embodied map that weaves together science, spirituality, and matter: the body as archive, the scar as shared memory.
“The body as archive, the scar as architecture of memory.”
“We live in a world that teaches us to hide our wounds, to be ashamed of scars, to silence pain. I create spaces where the hardest stories can become medicine.
I do not work on trauma. I work with it, transforming it into shared creation.”
Daroni is a symbolic alchemist and architect of thresholds, a transdisciplinary artist whose practice weaves art, science, and spirituality to transform wounds into sensitive architecture. Born in Mexico and based in Norway, his life and work are marked by diaspora, memory, and the search for symbolic repair.
His research focuses on the body as archive and the scar as architecture of memory. Through plaster, carved wood, pigments, and reliefs, he creates surfaces that breathe the unsaid and open thresholds where pain is transformed into shared dignity. His practice merges meditation, trance, improvisation, and sweat, giving rise to works that are both objects and embodied evidence.
Currently, he develops Embodied Perception, a living archive and river of shared memories, alongside his physical spaces in Norway—studio, somatic laboratory, and gallery—that pulse as territories where trauma is sculpted, painted, danced, and transformed into art.
His works are not an object to be observed, but an experience that activates embodied awareness in both the viewer and the maker.
Direct Connection
Email: alit_3@yahoo.com.mx
Phone: +47 98182844
Web: www.daroni.art
Laboratories: Heimdal – Trondheim & Mexico City