Threshold I — Chaos and Genesis (Morphogenesis, Mexico, 1998–2010)

 

Here, not only does the visual art flourish, but also the vital transition between seemingly irreconcilable worlds: architecture, science, and art.

While in the makeshift studio in his room, Daroni painted with old paints inherited from his father and found materials, at university he delved into the rigor of architecture and nanomaterials.

 

This intersection led him to a foundational discovery: form is not only aesthetic, it is also energy and perception.

 

In Barcelona, ​​during his time at the UPC, the experience expanded: quantum science on the one hand, visceral painting on the other.

It was a double laboratory: the body revealed its language on the canvases, while the mind explored matter through theoretical physical chemistry.

Morphogenesis thus became a manifesto of this creative rupture: chaos as origin, genesis as vital insistence.