The work of DARONI unfolds as a journey through thresholds: territories where body, memory, and matter intertwine. Each threshold is more than a stage—it is a passage, a crossing between the inner universe—woven from wounds, silences, and scars—and the outer universe—composed of architecture, nanomaterials, quantum physics, and multiscale perception.

 

Mexico, Italy, and Norway are not merely geographies; they are geographies of the scar: spaces where pain becomes form, sensitive architectures where suffering takes shape and art becomes a ritual of healing.

 

This journey is not only an aesthetic transition but also a material and existential one—a movement that dwells both in the texture of the skin and in the vastness of the cosmos. Here, the intimate and the cosmic merge: the skin remembers what science calculates, matter embodies what emotion silences.

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Each threshold opens a sensitive map where creation is not a destination but a passage—an expanded architecture between the visible and the invisible, between the archive of the body and the immensity of the universe.